George A. Romero`s The Land of the Dead Essay Example | Topics and Well Written Essays - 2500 words

George A. Romeros The toss off of the Dead - Essay subjectGeorge Romero is one such writer-director who is a governmental filmmaker by heart but uses his gift for mockery with horror movies. This flick also tackles a policy-making angle to it where it is shown that there is a feudal kind-hearted of Government in America. The people left alive, in the movie, have fled to the city which is protected from all in all tetrad sides, with three sides having rivers and the third has an electric stymy and military might. The fourth in the series of the previous trilogy of snake god movies by Romero this had the most complex social and governmental backdrop. All these movies were made in style and had laborious political overtones. The New York Sun wrote that it was, the American movie of the year. Romero has successfully entwined the zombie horror of the characters with political allegory. The movie which shows a feudal-like Government in Pennsylvania, here Romero tries to alleg orize with the fact that there is a autocratic social hierarchy. In such systems of social hierarchy the rich cover rich and the poor remain poor and in specific times of turbulence, this system still continues with the rich acquiring richer and the poor getting poorer till the upheaval comes to turn tables. It is a movie which shows horror and also works as a commentary on the political and social situation in the country. According to Brian Wilson, a writer and filmmaker, Land of The Dead may be seen as a necessary reaction to the present atmosphere of terrorist threat, political disillusionment and George W. Bush (Wilson 2002). Romero here, in this political allegory is a critic of the people of the American clubhouse who are cooped up in their holes, not wanting to face the reality. They are the apathetic citizens who close their look to the problems of global disturbance and terrorism, which has most affected the United States of America, and are waiting for somebody else to take that eldest step. It is a violent and gore movie with an edge of satire to it which showcases that the city of Pennsylvania is being attacked by zombies, who moan and groan, produce an unintelligent grunting sound and have only one basic desire to individually human flesh. They are evolving and are everywhere. Over the last three movies of Romero, the zombies have learnt to use their brains and they are flak arms. They have learnt to figure and communicate and they have memories to guide them through on their path of gothic destruction. This win over in the character of the zombies over the horror movies by Romero, also imply the shift in the political situation of America Big Daddy played by Eugene Clark is the monster who gets the sympathy from the audience. He and all the zombies in the movie represent the suppressed middle class and the lowest of the lower class, which gets killed by the zombies and pass away one of them. The rich elites are holed up in a skyscr aper, their bastion, Fiddlers Green where they think they will be safe from the walkers. But unfortunately for the rich folks, the zombies strike them and ironically, the elites find that the electric barricade which they had for their safety has now turned into a solid wall, barring their own escape. The only people who substantiate between complete zombification of the city are a few handfuls of mercenaries led by Riley, played by Simon Baker. These mercenaries also have commercial interest